Bruce Willis’ latest film Surrogates takes that to a whole new level as it proposes that people in the future will be staying almost completely indoors while realistic robot “surrogates” live their lives for them. It’s been 15 years since the last murder has been committed worldwide, but when the son of surrogates creator Dr. Lionel Canter (James Cromwell) is killed with a surrogate-killing weapon, it’s up to FBI agent Tom Greer (Willis) to find out who’s behind the killing and why. A group of surrogate-hating humans led by the enigmatic man known merely as “The Prophet” (Ving Rhames) has created reservations dedicated to living technology-free. When Greer’s look-alike surrogate chases the suspected murderer onto the Dread Reservation and is hit with the Overide Devic weapon, the real Greer has to step out into the real world to find the killers.
This film is based on the graphic novel “The Surrogates” written by Robert Vendetti and drawn by Brett Weldele. Although I’m not familiar with the source material, the creators supposedly came up with the concept for the comic after reading about numerous individuals who lost their spouses or their jobs due to their addiction to the internet and their online personas. Thus, one would see why both the graphic novel and film have roots in today’s technology-loving world.
I for one enjoyed the pace and concept of this film. Willis is generally a likable actor, and the contrast between his acting as a synthetic, nearly-indestructible surrogate and a flesh-and-bone human almost has him playing a dual role. Director Jonathan Mostow’s film has good pacing and the whodunit element coupled with the technology-versus-humanity subplot kept things interesting. I also liked how the surrogates often showed ideal versions of the humans who were either emotionally unstable, physically defective, or just enjoyed living vicariously through someone else rather than actually living their lives. I realize that a lot of people hated this picture, but I’m not one of them.
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